Multiple Lands Set To Be Altered for New “IP-Driven” Magic Kingdom

in Walt Disney World

Close-up of a colorful fairytale castle in Magic Kingdom, with blue pointed roofs, gold accents, gray stone walls, and a clock above the entrance, set against a bright blue sky with scattered white clouds at Walt Disney World.

Credit: Brian McGowan, Unsplash

You’ve probably noticed a shift if you’ve been paying attention to Disney’s recent moves. The days of original park concepts and standalone attractions quietly fade, making way for rides and lands rooted in blockbuster movies and recognizable characters. Now, that trend has officially reached Magic Kingdom in a big way.

Disney is doubling down on its “IP-driven” approach, meaning some classic park areas are on the chopping block. From Frontierland to Tomorrowland, even Adventureland—nothing is safe.

many adventures of winnie the pooh
Credit: Disney

How IP Took Over the Parks

Walk through any Disney park today, and you’ll see how much the landscape has changed over the past two decades. EPCOT went from a hub of original attractions like Maelstrom and Universe of Energy to a showcase of franchises—Frozen, Guardians of the Galaxy, and Ratatouille now dominate the experience. Hollywood Studios? Practically rebuilt around Star Wars, Toy Story, and The Wonderful World of Mickey Mouse. Even Animal Kingdom has leaned hard into Avatar with Pandora.

In many ways, this isn’t surprising. Intellectual property is Disney’s bread and butter. Big-name movies sell merchandise, fuel social media buzz, and give marketing teams a massive advantage when promoting new attractions. The downside? Original rides without a movie tie-in are increasingly rare. And now, Magic Kingdom—the most visited theme park in the world—is heading deeper into that territory.

Guests riding Guardians of the Galaxy: Cosmic Rewind through space
Credit: Disney

Frontierland’s Future

Disney has big plans for the park’s west side, and Frontierland will never look the same. Between 2028 and 2030, the area will undergo a complete transformation, with two new lands taking over: Piston Peak and Villains Land.

Piston Peak (2028–2029) will be based on the Planes: Fire & Rescue spinoff of Disney’s Cars universe. Imagine towering forest backdrops, a working fire station façade, and a major E-ticket ride where guests take flight on firefighting missions.

While Disney hasn’t confirmed all the details, concept art suggests multiple family attractions, a quick-service spot themed to a firehouse mess hall, and plenty of character meet-and-greets with Dusty Crophopper.

Concept art for Piston Peak National Park at Magic Kingdom
Credit: Disney

Following that, Villains Land (2029–2030) will bring the darker side of Disney into the spotlight. This expansion is rumored to feature a headlining ride where guests enter the domain of Maleficent, Ursula, and Jafar and a dramatic nighttime show unique to the land. Shops and dining locations will lean into gothic, fiery aesthetics—perfect for fans who’ve always wanted the villains to have their own turf.

But before these shiny new lands arrive, Disney has quietly dismantled Frontierland’s old identity. Tom Sawyer Island has closed, the Liberty Belle riverboat no longer sails, Rivers of America is drained, and the Frontierland Shootin’ Arcade has been retired. Construction walls dominate the area, indicating that Magic Kingdom’s frontier past is already giving way to its IP future.

The first image Disney shared of the new Villains Land coming to the Magic Kingdom
Credit: Disney

Tomorrowland’s Slow Shift

Tomorrowland still clings to a few non-IP classics, but change is creeping in. Carousel of Progress and the Tomorrowland Transit Authority PeopleMover remain untouched for now. But everything else has been trending toward recognizable franchises.

Buzz Lightyear’s Space Ranger Spin is next in line for a major makeover. While Disney hasn’t confirmed the exact theme, insiders hint that the ride will be overhauled into a higher-tech, more immersive shooter attraction, potentially expanding its Toy Story storyline or pivoting to another Pixar brand entirely.

Then there’s TRON Lightcycle Run, which opened in 2023 and instantly became a Tomorrowland centerpiece. Its sleek neon design and high-speed thrills represent the direction Disney seems to want for the land—IP-based, visually impressive, and marketable to fans who’ve never even seen the original 1982 TRON film.

The writing is on the wall: Tomorrowland’s future will likely be less about “the future” and more about what movie IP fits the futuristic aesthetic.

Two people enjoying a thrilling ride on a TRON roller coaster at Walt Disney World
Credit: Disney

Adventureland Expands Its Pirate Influence

Adventureland isn’t escaping the IP wave either. It’s about to get more tied to one of Disney’s biggest live-action hits: Pirates of the Caribbean. On August 29, 2025, a brand-new Pirates-themed tavern will open near the ride. Disney describes it as an immersive spot where guests can mingle with pirate crew members, enjoy tropical cocktails and hearty snacks, and discover nods to Captain Jack Sparrow and his crew.

The tavern’s design promises dim lantern lighting, weathered wood interiors, and hidden treasures in every corner. Think of it as a mash-up between Trader Sam’s and a Pirates film set.

In addition, there are strong rumors of a new ride coming to Adventureland in the next few years. While details are scarce, speculation points toward a pirate-themed adventure that expands on the movies or another existing IP that fits the adventurous setting. If true, it would further cement the land’s shift toward being anchored by popular franchises instead of original explorations.

Concept art for The Beak and Barrel at Disney World.
Credit: Disney

The IP Balancing Act

For Disney, the push toward IP-driven attractions makes financial sense. Guests feel instantly connected to rides based on characters they already know and love, and that emotional connection often translates to bigger spending on merchandise, food, and return trips.

But there’s a growing debate among fans about whether this approach sacrifices the originality that made Disney parks so magical in the first place. Replacing classic attractions with movie tie-ins might keep the parks relevant for younger audiences.

Still, it risks alienating long-time visitors who remember when every ride felt like its own world. Not to mention, movies age over time. Disney will be stuck in a constant cycle of rebranding attractions once a film loses momentum.

Anna, Elsa, and Olaf animatronics singing at the end of Frozen Ever After.
Credit: Disney

Construction Today, Magic Tomorrow?

Right now, much of Magic Kingdom feels like it’s in transition. Frontierland is a maze of walls and closed pathways. Tomorrowland is gearing up for its next big overhaul. Adventureland is preparing for the tavern launch while whispering about something bigger on the horizon.

The park that once prided itself on timeless, standalone experiences is evolving into a place where every land serves as a billboard for Disney’s film library. Whether you see that as exciting or concerning depends on what you loved most about Disney.

One thing’s for sure: by the early 2030s, Magic Kingdom will look—and feel—very different. The question is, will this new IP-driven identity make it better, or will it erase too much of the charm that made it the crown jewel of Walt Disney World in the first place?

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